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Jan 2010

Artist Tampers with Sold Paintings
by Lillian Kennedy on 1/22/2010 4:17:08 PM



         This detail of “Winter on Gore Creek” shows the section of sky that I changed.
Above: “Careful Where You Step”  20"x 16" (Boulder, CO -  Flatirons from Chautauqua).  
Private Collection: Knoxville,Tennessee.

I needed to mix a color and apply it in a way that would express moving air and miles of space.  I didn’t want to tamper with the spirit of the painting; I just wanted to push the sky back so that it wouldn’t stick to the mountains.  The paint had to be put down with fresh free marks that would connect to the rhythms of the composition.  It could go wrong, and sometimes one thing leads to another and a painting slips away.  What was I thinking?  This wasn’t my painting!  But I did it anyway.

The painting had sold, the check had cleared, and here I was… painting on it.  This could be illegal or morally wrong.  But I HAD to do it.

I don’t stand alone (among artists) for this behavior; there are stories of artists sneaking into museums to “fix” something on one of their paintings.  Can you imagine a car dealer sneaking into your garage to make improvements on your vehicle?

Art is more of a Calling (or Nagging) than a business.  It was not between me and either my checkbook or the lovely collectors who bought the paintings – no, it was between me and some mysterious urge to do what I could to give a more full expression to my vision. 

Questions: Does your Muse drive you to try to improve your work even when it doesn't seem reasonable?  Are you ever completely satisfied?  To share your thoughts double click comments at the top of this post.




 

Tavern on the Green Auction in New York City- “Hey, that’s MY mural, yes THAT one, the one of Central Park with over a hundred horses!”

Any parent who has ever jumped up, waved their arms and wanted to shout from the bleachers, “That’s my kid!” will know how I am feeling.  The child, especially if an adolescent, will probably be embarrassed.   That’s the relationship that I have with my beloved Tavern on the Green mural. It will be sold off to the highest bidder and go to a new home – my own offspring – without any parental input. I want to go and shout out from the sidelines - but the hitch is, it isn’t mine.

How do you handle your relationships with your artwork once you no longer possess it? Do you hover over old photos now and then? To you ever want to meddle with its current life?

 




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Permalink | 5 Comments
Topics: acrylic painting | Boulder Flatirons 
Technorati Tags: acrylic painting | Boulder Flatirons 



Margaret
via lilliankennedy.com
In answer to your question about the Muse driving us to improve the work even when it is not reasonable---there is a resounding YES from this artist! I have paintings that are under glass (and have been under glass for a year or more) that I still want to work on! I guess it's because we grow and improve as artists ourselves. Are we ever finished mothering our children? I still find myself giving advice to my grown children. I guess it's the same with my paintings. I still want to improve them, even when it's not possible to work on them anymore.
Mike
via lilliankennedy.com
For me, finishing a painting is a matter of not wanting to put anything else in there or I risk ruining the thing. I have a tendency to overwork paintings, and want to avoid that. Some paintings I have done are fine just the way they are, and show (probably) where I was in that place and time in my life. However, I have many unfinished paintings in my studio. With those, I have a hard time figuring out where they went wrong. Perhaps I can fix some of them, and simply finish others. But with work already sold or those that are actually done, I don't feel the need to change them. Strange . . . I don't think I have thought about this question much.
Lillian Kennedy
via lilliankennedy.com
Margaret and Mike,
Thanks for such interesting comments - and such DIFFERENT responces. Sometimes I assume that the issues that I have in painting will be shared by others. I have learned to keep my mouth shut (sometimes) while teaching because I might suggest a problem that isn't there for another artist. Mike, enjoy your feedom from nagging! Margaret, I like the analogy. Lill
Nyla Witmore
via lilliankennedy.com
I like the way you philosophize in your blog. It gets us all "a-thinkin'"....connecting to our inner thoughts and then inspiring us to connect back to your blog.

I like the way you applaud other artists...in particular your admiration for artists who make connections, (in "personal lives and/or "painting lives.") I do it with music to connect me to my brush and my motions one day; another day I want to "take my viewers to connect to a happier place" as when I'm painting intimate landscapes of France or Italy or reminding viewers how THEY felt when they were in that same location. Lately, I've started to paint the subject matter in dreams as I connect to my inner dream life.
Lillian Kennedy
via lilliankennedy.com
Thanks, Nyla.
If the rest of you want to see some of Nyla's paintings, click on her name at the top of her comment.